Thursday, February 3, 2011

Episode 11 - The Description episode

Click here to download the episode!

We are aware there was a problem with the episode cutting off early. We've re-uploaded the file, and the direct link is now working. Not sure how ling it will take for iTunes to pick up the corrected episode. Sorry for the error. 

We talk briefly about the Gryphonwood Press ebook for Halloween, with short stories from both David and Alan (a bit late to promote this one, but the book is still available for a dollar from Smashwords and Kindle).

We talk about getting back to our favourite novel characters in short stories for The Game anthology from Seven Realms Publishing.

David asked Alan to post the location of his Isiah short story, Stand Off, in the show notes (published by Wily Writers). You can find that story here:

Alan talks about hearing his first short story podcast by a voice actor.

We talk about novels to movies as a process and how a movie can spoil an author’s vision.

We cite examples like:

Philip Pullman’s His Dark Materials Trilogy
Richard Matheson’s I am Legend
Clive Cussler’s Sahara.
Alan Moore’s Watchmen, V For Vendetta, From Hell

From there we talk about movie actors potentially spoiling a reader’s vision of a character from a book.

We talk about too much description in a book which can also spoil the reader’s immersive experience, and subsequently what kind of descriptive writing does work well.

We discuss the difference in character development between a book and a movie.

We discuss the need for worldbuilding in speculative fiction and how that can potentially slow down the pace of a spec fic thriller.

Alan cites Peter Watt’s Starfish as an example of excellent worldbuilding in a spec fic thriller.

David cites William Dietrich’s historical adventure thrillers.

We talk about the authenticity of worldbuilding in fiction and making sure the writer knows what he’s talking about.

We finish up talking about what we think is essential description and what’s unnecessary.


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